When
        I finally realized I was moving from my parents’ house after thirty years 
        of living with them, I knew I had to take three treasured photographs 
        with me—security blankets that captured the essence of the supple love 
        ties interlacing my life. I planned to have each one enlarged and color-copied 
        because mom would never part with the originals. So that she would not 
        fret about the possibility of my losing them, I decided to sneak them 
        out of a well-worn family photo album—full of pictures, thousands and
        thousands of words.
        
         In
        the first one, I am sitting on the couch with my legs extended toward
        an invisible other end. An inadvertent Afro-puff
        sits at the top of my head. I am barefooted, casually thumbing through
        pictures of a book so large that it could easily have been used for a
        blanket. Some kind adult must have gotten it for me. I am grinning confidently
        at my favorite photographer, my father, even though I am dressed in my
        pajamas. I hear he could always get a grin out of me. In fact, he still
        can just because he is my dad, a man of genuine warmth and selfless deeds.
        Perhaps he turned on the lamp for me or gave me the glass of water with
        no ice (always my preference) on the table just behind me. He made my
        life simple. Everything is in black and white. Today everything is in
        color—lights, camera, action. Always on the move. This picture reminds
        me to relax and allow time for peaceful pampering or glossy appreciation,
        to watch the sunrise at Galveston Bay as I sometimes do, to imitate the
        seagulls as they flutter into new beginnings or glide through freedom
        in motion.
In
        the first one, I am sitting on the couch with my legs extended toward
        an invisible other end. An inadvertent Afro-puff
        sits at the top of my head. I am barefooted, casually thumbing through
        pictures of a book so large that it could easily have been used for a
        blanket. Some kind adult must have gotten it for me. I am grinning confidently
        at my favorite photographer, my father, even though I am dressed in my
        pajamas. I hear he could always get a grin out of me. In fact, he still
        can just because he is my dad, a man of genuine warmth and selfless deeds.
        Perhaps he turned on the lamp for me or gave me the glass of water with
        no ice (always my preference) on the table just behind me. He made my
        life simple. Everything is in black and white. Today everything is in
        color—lights, camera, action. Always on the move. This picture reminds
        me to relax and allow time for peaceful pampering or glossy appreciation,
        to watch the sunrise at Galveston Bay as I sometimes do, to imitate the
        seagulls as they flutter into new beginnings or glide through freedom
        in motion.
        
         In
        the second photograph, “Roy and Barbara” are 
        smiling and embracing each other on a snowy afternoon in a very unlikely 
        place: Houston, TX; and during a rare, timeless moment: no children are 
        around. (The cozy couple had at least eight at the time.) The frost-covered 
        rooftops of wood-framed houses appear in the background, Bing-Crosby-like. 
        Telephone lines connect one neighbor’s house to another. The streets are 
        still covered with this rare icy stuff. The only part of the ground that 
        lies bare is the sidewalk leading to the front of our first house.    
        Dad and mom are standing to the right of their wood-framed dwelling although 
        it does not appear in the picture.  The children must be inside. 
        Yes, the sun is out, and the sky overhead is dusty blue, but it is still 
        cold. The chill offers a warm pretext for a hug, one whose ever-expanding 
        embrace has always been roomy enough for nine, yet intimate enough for 
        two or three—the two of them and me.
In
        the second photograph, “Roy and Barbara” are 
        smiling and embracing each other on a snowy afternoon in a very unlikely 
        place: Houston, TX; and during a rare, timeless moment: no children are 
        around. (The cozy couple had at least eight at the time.) The frost-covered 
        rooftops of wood-framed houses appear in the background, Bing-Crosby-like. 
        Telephone lines connect one neighbor’s house to another. The streets are 
        still covered with this rare icy stuff. The only part of the ground that 
        lies bare is the sidewalk leading to the front of our first house.    
        Dad and mom are standing to the right of their wood-framed dwelling although 
        it does not appear in the picture.  The children must be inside. 
        Yes, the sun is out, and the sky overhead is dusty blue, but it is still 
        cold. The chill offers a warm pretext for a hug, one whose ever-expanding 
        embrace has always been roomy enough for nine, yet intimate enough for 
        two or three—the two of them and me.
        
         In
        the third picture, I am planted in the middle of mom’s lap as she sits on a cherry wood piano bench with her back to 
        the piano, situated in front of a bright blue wall. A centered picture 
        hangs above the piano; just below a vase of flowers brightens the moment. 
        Even though I appear to be holding my own, a closer look reveals that 
        mom is providing me with back support, just as she always does when I 
        need her quiet strength. Her hands, despite their feminine pose, have 
        secured my diapered legs in strong yet graceful grip. She and I are really 
        dressed up, Easter-like, each of us in white. Black is the accent color 
        for both of us. My thick, dark hair peeps from underneath a frilly bonnet. 
        My mom’s soft curls blend in with a fancy black hat. I am modeling white 
        high-tops and mom, black pumps with heels just high enough to display 
        her shapely honey-brown legs ever so elegantly crossed. Looking straight 
        at the camera, I grin widely, although I have no teeth. Mom does of course. 
        Her smile is brilliant, yet she looks away from the camera coy-like, perhaps 
        to avoid the admiring gaze of her tall handsome photographer—“Roy” to 
        her, and “dad” to me.
In
        the third picture, I am planted in the middle of mom’s lap as she sits on a cherry wood piano bench with her back to 
        the piano, situated in front of a bright blue wall. A centered picture 
        hangs above the piano; just below a vase of flowers brightens the moment. 
        Even though I appear to be holding my own, a closer look reveals that 
        mom is providing me with back support, just as she always does when I 
        need her quiet strength. Her hands, despite their feminine pose, have 
        secured my diapered legs in strong yet graceful grip. She and I are really 
        dressed up, Easter-like, each of us in white. Black is the accent color 
        for both of us. My thick, dark hair peeps from underneath a frilly bonnet. 
        My mom’s soft curls blend in with a fancy black hat. I am modeling white 
        high-tops and mom, black pumps with heels just high enough to display 
        her shapely honey-brown legs ever so elegantly crossed. Looking straight 
        at the camera, I grin widely, although I have no teeth. Mom does of course. 
        Her smile is brilliant, yet she looks away from the camera coy-like, perhaps 
        to avoid the admiring gaze of her tall handsome photographer—“Roy” to 
        her, and “dad” to me.
        
        Whenever I look at these three photographs, I feel 
        happy and sure. I always have for as long as I can remember. I am certain
        I always will. The security and love captured in them grant me the grace
        and confidence to make life a fulfilling wonder as opposed to an aimless
        wander. Above all, the tenderness they communicate reminds me that enduring
        love requires hugging when life is cold. No matter what befalls, contentment
        is the shelter to seek, the kind born of gratitude for the simple things
        in life: a well-worn couch, a good book, a fresh glass of water, an embrace,
        and a smile. None of these ever grows old, especially when framed in
        love.
Karen 
        Kossie-Chernyshev enjoys 
        personal essay writing. She is an assistant professor of History at Texas
        Southern University in Houston,  where she teaches African American
        and American History. Her current research focuses on African American
        Pentecostalism in the Southwest. This article is used by permission of
        the author. 
 Copyright © 1997 by Karen Kossie-Chernyshev. All Rights Reserved.



















 
 
          


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